If arts organizations want to stay relevant, the time has come to get serious about building connections with the wealth of creative activity in our communities.
What are the trends, challenges, and opportunities that are shaping choruses and choral music? A panel of leaders in the field weighs in.
Choruses are finding crowdfunding success, from raising money for specific projects to participating in community giving events.
As all-male colleges went coed in the 1970s, they left something important behind: their music. The Washington Men's Camerata is working to preserve this historic resource.
Plug the words “choir videos” into your search engine and you’ll get an astounding number of links (Google found 112,000,000. Yes, million.) Is your chorus among them? It could be—and more easily than you may think. Chorus America asked several choruses to tell us how they are making video a key part of their marketing strategy.
Considering a strategic alliance? You might also want to consider these best practices drawn from the major findings of the Mendelssohn Club's Strategic Alliances study featured in the article "The Art of Strategic Alliances" by Matthew Sigman.
When do partnerships add value and when do they distract from a chorus’s mission? Philadelphia’s venerable Mendelssohn Club explores the spectrum of collaboration, from artistic to administrative.
If you’ve been on the internet during the past month, you’ve probably seen the quirky viral video of a chorus and orchestra covering the popular, can’t-get-it-out-of-your head song “Call Me Maybe” by Carly Rae Jepsen. There are hundreds of other videos online covering the song, ranging from topics like NFL replacement referees to the United States Olympic swim team, so what makes this one so special? With more than two million hits and counting on YouTube, mentions in newspapers around the country, and even a featured performance on the Today Show, who knew choral music could go so viral?
No longer is choral music constrained to choristers standing on risers at the front of a church or concert hall. In recent years, the traditional format has evolved into multisensory, multimedia experiences.
Many young professionals lose the choral experience they loved in school. KellyAnn Nelson and Christopher Eanes hit on a surefire draw: Invite 20- and 30-somethings to rehearse and perform in a local bar.