Impact/Value

In the Summer 2020 issue of Chorus America's magazine, the Voice, we published a number of special features that highlighted the choral community's response in the wake of COVID-19. With in-person performances and rehearsals abruptly taken away, dozens of choral organizations showed their creativity by quickly finding new ways to make music and serve their communities.

In the Summer 2020 issue of Chorus America's magazine, the Voice, we published a number of special features that highlighted the choral community's response in the wake of COVID-19. With in-person performances and rehearsals abruptly taken away, dozens of choral organizations showed their creativity by quickly finding new ways to make music and serve their communities.

In the Summer 2020 issue of Chorus America's magazine, the Voice, we published a number of special features that highlighted the choral community's response in the wake of COVID-19. With in-person performances and rehearsals abruptly taken away, dozens of choral organizations showed their creativity by quickly finding new ways to make music and serve their communities.

In the Summer 2020 issue of Chorus America's magazine, the Voice, we published a number of special features that highlighted the choral community's response in the wake of COVID-19. Among countless affected performances during the onset of the coronavirus pandemic were eagerly anticipated world premieres—works such as Damien Geter’s African American Requiem with Portland, Oregon’s Resonance Ensemble (for more, see Secular Requiems) that explore timely and meaningful topics and involve collaborations, often spanning long periods, distances, or both. We asked several choruses about their premieres that were put on hold and their developing plans to find a way to share these new pieces of music with the world.

The Choral Commons: A New Project and A New Partnership

Chorus America is excited to be a community partner of a newly-launched initiative, The Choral Commons, founded by University of San Diego director of choral studies Emilie Amrein and Boston University professor of music André de Quadros.

Music’s prominence in the sacred sphere has shaped some of the most enduring genres of choral music in Western culture, such as the requiem mass. For more than a century, composers have found resonance in the requiem outside its traditional religious framework — a resonance that has acquired new intensity in recent years. Here is a look at four American composers of today who have adapted the idea of the sacred requiem to secular expressions that commemorate loss and encourage healing. Their music responds to a wide spectrum of inspirations—and perhaps has even more relevance in a world coping with suffering and loss in a new way.

Nina Simon’s work as an author, change leader, and activist is all about creating more open, generous, community-focused organizations. She is the founder and CEO of OF/BY/FOR ALL, a nonprofit organization that provides tools to help civic and cultural organizations matter more to more people. Today, over 50 organizations are using the OF/BY/FOR ALL framework to build relationships, relevance, and impact in their communities.

How We Move Forward: Finding a Way Amid Uncertainty and Loss

 
A Letter from Catherine Dehoney

President and CEO, Chorus America

 

Dear friends,

Our community was hit very hard by the information in a webinar presented by Chorus America and some of our colleague organizations on Tuesday, “What Do Science and Data Say about the Near Term Future of Singing.” We’ve heard and read your reactions expressing strong emotions: grief, disbelief, anger, and—in some cases—steely determination to find a way forward. We share those emotions too.

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